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The production company acts as a platform
from which there own creative projects can arise. It
also demonstrates their seriousness, ability and helps
them gain experience in the industry.
Off The Planet's most recent completed
project has been 'Most Hunted' a 30min spoof of Living
TV's popular show 'Most Haunted'.I had the chance of
watching a demo recently and thoroughly enjoy it; it
came across as humorous on many levels and revealed
the idiocy of many of today's television programmes,
it was also extremely well produced with a professional
feel. They can produce something that is made on a budget
of next to nothing appear as if it was made with some
serious money. This is down to their ability to be effective
writers, actors, cameramen, editors, directors, and
producers and to utilise any available techniques and
technology at their disposal.
I had the opportunity of putting some
serious questions to Tim and found that he should speak
for himself on what its like to try and make it at something
you love to do in a place you love to do it.
Q: How long have your been filming for?
A: I first started writing in late 1998,
then after raising the money to buy some filming and
editing equipment, started filming around April 1999.
Q: Do you have motto/quote you like?
A: I'm rather fond of the motto; 'Who
Dares Wins' as it's from one of my favourite sitcoms,
'Only Fools and Horses' and I think it bears relevance
in many situations of everyday life, if you want something
bad enough then you'll go the extra mile.
Q: Would you consider yourself an actor/Performance
artist/comedian/ writer/director/One Man Movie Maker/film
maker etc.? You can pick more than one.
A: At one stage or another I've done all
of these, but if I had to pick just a couple then I'd
go for 1: One Man Movie/Film maker, and, 2: Writer,
probably in equal proportion as once I've written something,
or even come up with a concept for a film or programme,
then, generally I like to be involved at every step
of the way to ensure that things are going exactly the
way I envisaged.
Q: Where do you show or send you work?
A: The first port of call for anything
I ever do is family and friends, as I value their opinions
and can trust them to be honest, sometimes brutally
honest. Once everyone is pleased with the result I then
send it to a number of contacts that I've built up over
the years within various T.V. channels and production
companies, contacts that have been very hard to come
by, and have taken an extreme amount of nurturing.
Q: Have you found it easy to get your
work available, recognised?
A: Not in the slightest. There is an extreme
amount of 'banging your head against a brick wall' syndrome
involved in my chosen vocation, especially in the first
couple of years. Even now it is extremely difficult
although it does get easier with time. The biggest problem
at the early stages is getting someone to take you seriously
who is in a position of authority. It doesn't seem to
matter how good your work is, or what the subject matter
is either.
Q: Have you tried the Cornish film Festival?
A: I have considered it, and will probably
be entering material for next year's festival, providing
there is one! (I heard through the grapevine that there
was a relatively poor showing compared to the previous
year).
Q: Do you have qualifications in what
you do? Do you think you need them?
A: I don't have a single qualification
that even remotely qualifies me for what I do, not counting
qualifications in English language! Whether or not the
necessity of qualifications in this industry is relevant
purely depends on what area you wish to focus on. As
an example: In mid to late 2000 I wrote and co-produced
a performance comedy show reel, which, after getting
the thumbs up from all friends and acquaintances, was
sent to a class of sixth-form media-studies students
at Okehampton college together with a questionnaire
for them to fill out. The results of that questionnaire,
as well as being highly pompous and snobbish, also slated
the show reel quite badly. That same show reel was then
sent to BBC talent and entered in the comedy sketch
section in the year 2001. Of the thousands of entrants
only a very small number were picked and shown on the
programme and that very first show reel was one of them.
So, if you were to ask me if I thought a media-studies
course would be helpful in my chosen path, I would have
to say no, as I've always been a firm believer that
there is no substitute for experience. Who would you
take advice from? Someone who's learned what they know
in a place of education then teaches others, or, someone
who is actually doing the job? On the other hand, I'm
sure it would be useful for a number of other vocations
within the Industry.
Q: Have you consider a course in further
education as a future step to achieving your goals?
Do your think it's worth it?
A: I think I've answered that one in the
previous question, although I would add that; as new
knowledge has been necessary I'm certainly no stranger
to sitting down with a book on the subject and/or a
P.C. and teaching myself. I find it a far quicker way
of learning than any course or schooling I've done in
the past.
Q: What is your favourite colour?
A: Now that's a difficult one...Red...NO,
BLUE!
Q: Have you found people in the film/TV
industry helpful?
A: That is really a double-edged question;
Generally people in the lower echelons are extremely
helpful, people such as cameramen, soundmen, production
assistants etc, are always full of useful advice, but,
the people with the most influence most often don't
even have the common decency or sense of obligation
to reply to a simple E-mail!!!!!
Q: Is Cornwall a good place for material?
A: Cornwall is a perfect place for material
and inspiration alike, purely in the nature of the county
itself. There is such diversity in personalities, characters
and scenery that coupled with the serenity granting
peace to think that it really is difficult not to be
inspired.
Q: Do you find it's who you know not what
you know situation?
A: Extremely so, and I cannot emphasize
this fact enough! Due to the apparent snobbery found
primarily in the corridors of power, it is incredibly
difficult to even get your product shown to anyone of
importance. It is a slow process indeed building up
any contacts of any real value too!
Q: Is funding/money an issue?
A: Not particularly. As with any industry,
from small acorns etc. The first project I ever wrote
and produced was done on a budget of absolutely nothing!
As have a number of my projects, you tailor whatever
you're writing to your budget. That doesn't mean to
say that I never had the ambition to create something
that cost millions right from the beginning, just that
it's better to learn to walk before you can run, because
in situations like this a trip can prove very costly!
Q: What drives your work (what's your
inspiration)?
A: Primarily ambition and the desperate
need for people to appraise my work (I can hear that
prime-time spot calling now). There's nothing better
than watching other people watching your work and totally
enjoying it for what it is, plus, I really, really enjoy
my work and can't think of a better vocation or way
to spend my life!
Tim's most current project 'Needles in
a Haystack- Substance misuse in the sticks' is a shocking
hard-hitting yet informative 60-minute health documentary
on substance misuse in the predominantly maritime and
rural county of Cornwall. This approach to working with
serious subject matter I believe is more likely to gain
Tim the contacts and the recognition within the T.V
industry that he wants and needs to move forward.
www.offtheplanet.tv
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